This is a bit delayed, as I was waiting for the last of them to run, but I've recently had three pieces published in the lovely journal Sleep.Snort.Fuck.
You may find all three of them here: Morgan Atwood, at Sleep, Snort, Fuck
Or, in order of publication:
Magnum
Measure of Ecstasy
Taste
Hopefully needless to say, given the name of the journal, some content may be considered Not Safe For Work (/Wife/Children).
I feel spoiled to, yet again, have somewhere I really like publish my work.
(These publications also mark an interesting point for me as a poet. I once said all my poetry was non-fiction and this is no longer true. These mark the first success I've had, both in personal feelings about them and publication, with fictional poetry. I say that not to disown the themes or any unpleasantness, but more because I find the revelation of my own process a wonderful ongoing mystery.)
Showing posts with label Recommended Reading. Show all posts
Showing posts with label Recommended Reading. Show all posts
Monday, June 14, 2010
Monday, June 7, 2010
Solutions for Austerity and Hostility
I've been far too busy with other things recently, and have been neglecting my blog here. For those friends and readers who are interested in issues of and skills for wilderness survival, abandoned mine exploration, armed citizen/concealed carry, armed professions, individual medical skills and tactical medicine, and a related mish-mash there of, I'll invite you to where I have been busy: http://BFELabs.com is my “professional” home as something other than a writer/artist. Some of you may find it interesting. Some of you may find it appalling.
I'll admit some trepidation at linking these two halves of my life. While the one is rather accepting of the other, it doesn't always go both ways. The artsy, literary, side of the house is often not at all accepting of the gun carrying, wilderness capable, military/police friendly, war-on-terror supporting, knife fighting, mine exploring, MMA-training, type. Whereas the long fangs are often as artsy and literary as anyone else. This is a constant source of disappointment in my life, as folks from the supposedly kinder/gentler art and writing world are often so put-off by the other as to make friendship difficult. The professional costs may be as high as well. That is, however, just the way it is. I am who and what I am, and I'll never compromise that because I offend the delicate political sensibilities of my fellow artists and writers. It's not that I am politically incorrect – You are just ideologically sheltered.
I'll admit some trepidation at linking these two halves of my life. While the one is rather accepting of the other, it doesn't always go both ways. The artsy, literary, side of the house is often not at all accepting of the gun carrying, wilderness capable, military/police friendly, war-on-terror supporting, knife fighting, mine exploring, MMA-training, type. Whereas the long fangs are often as artsy and literary as anyone else. This is a constant source of disappointment in my life, as folks from the supposedly kinder/gentler art and writing world are often so put-off by the other as to make friendship difficult. The professional costs may be as high as well. That is, however, just the way it is. I am who and what I am, and I'll never compromise that because I offend the delicate political sensibilities of my fellow artists and writers. It's not that I am politically incorrect – You are just ideologically sheltered.
Wednesday, November 4, 2009
I have a Twitter account for my business, and think its worthwhile. I've also ooohed and aaahed over the things other people are doing with their Twitter's. Still, I have regarded having a personal Twitter as a waste, and indicative of being a waste (of amino acids). But, I'm slowly changing my mind, and as such have stuck a toe in the water.
Changing my mind have been artists I like, such as Corb Lund and Amanda Palmer, various writing movements like Nanoism, writers like Steve Pressfield, and the recent happenings in Iran where Twitter was put to such good effect.
So, I now have a Twitter. At present, I'm enjoying it and delighted that things I see there already make my world feel more right and well adjusted (which I did not expect). Like the Kindle thing, it may stay, or it may go the way of the Sardinian Dhole.
I think I'll be using it to follow people primarily for now, but I expect I'll be tossing up some original 140 character prose from time to time as well.
Twitter: WhatTheNagrom
Changing my mind have been artists I like, such as Corb Lund and Amanda Palmer, various writing movements like Nanoism, writers like Steve Pressfield, and the recent happenings in Iran where Twitter was put to such good effect.
So, I now have a Twitter. At present, I'm enjoying it and delighted that things I see there already make my world feel more right and well adjusted (which I did not expect). Like the Kindle thing, it may stay, or it may go the way of the Sardinian Dhole.
I think I'll be using it to follow people primarily for now, but I expect I'll be tossing up some original 140 character prose from time to time as well.
Twitter: WhatTheNagrom
Wednesday, October 14, 2009
Amanda Palmer
I really don't remember how I discovered The Dresden Dolls, but I suspect it was through a friends Facebook status asking for a coin-operated boy. However it was, that's how I heard of Amanda Palmer, the Doll's lead singer (among other talents). Quickly the Doll's albums, and Amanda's solo effort, Who Killed Amanda Palmer, became some of my favorite music, and continue to get a lot of play. Particularly when I'm writing or being otherwise creative.
But it's only recently that I've started following Amanda Fucking Palmer's blog.
I'm not much of a fan boy. If I like someone's work, I'll promote it to my friends who share my tastes, and maybe mention it here, but not much more. I'm a quiet fan. I follow the artists artistic output, invest my money in the output I want to own or participate in, and encourage fellows to do the same, but that's the extent of it. I'm not a gushing, twitter following, fan-art making fan. It just doesn't work for me. If I follow an artist on Twitter, odds are I'll get pissed at narcissistic irreverence and nonsense and stop liking them. Same for a lot of blogs. For me to enjoy engaging with an artist I like in that fashion, something has to be different. I like artists who blog smartly.
I particularly like artists who talk about art, and the processes behind it, and within it. Whatever their art may be. Even better, artists who talk about the future of their art. Best, an artist who can talk about these things in a manner that's as inspiring as their art.
This is why I'm actually reading AFP's blog, and have linked it at right. She's fucking brilliant.
She's thoughtful, and puts a lot of her energy into her words, making the blog both enlightening and inspiring. It's something a lot of artists just can't do – Their blogs end up narcissistic or dry, or narcissisticly dry. AFP is engaging, funny, energetic, and smart. She also regularly displays a firm grasp on current, and emergent, trends and offers insights that more people should really be paying attention to.
Some of her recent blogging in particular has been excellent in terms of trends and things people should pay attention to. Her ideas and comments about how she, as an artist, is making money and the necessity of doing the work, and how others are succeeding, or can succeed, are great.
More artists need to embrace the entrepreneurial opportunities afforded by the current state of technology and communication. More artists need to stop being shy about cultivating a fan base, being involved with that fan base, and making money from that fan base. Making money is not dishonest, it doesn't dirty up the work. Everyone has a right to try to make a living from what they're passionate about. Go read, seriously. AFP is talking from the POV of a performance based artist/act like a musician, but if I find it valuable as a scribbler and metalsmith, other artists should as well. If you're a musician, video artist, writer, pounder of metal, any sort of artist who wants to make a life an an artist, her ideas are worth a look.
I find her commentary very much in keeping with my recent ideas on writing/publishing, markets and marketing there-for, and making use of available technology and the memes they enable to achieve success in genres and as artists.
On top of that, she's awesome and I enjoy her work, and the things she has to say.
(As a note: I'm thinking about putting up something for each of my recommended reads, who I haven't mentioned before at least, but don't know if I'll get to it. My recommended reading, and the blogs I follow (see profile) are all recommended, or they wouldn't be there. You should check them out.)
But it's only recently that I've started following Amanda Fucking Palmer's blog.
I'm not much of a fan boy. If I like someone's work, I'll promote it to my friends who share my tastes, and maybe mention it here, but not much more. I'm a quiet fan. I follow the artists artistic output, invest my money in the output I want to own or participate in, and encourage fellows to do the same, but that's the extent of it. I'm not a gushing, twitter following, fan-art making fan. It just doesn't work for me. If I follow an artist on Twitter, odds are I'll get pissed at narcissistic irreverence and nonsense and stop liking them. Same for a lot of blogs. For me to enjoy engaging with an artist I like in that fashion, something has to be different. I like artists who blog smartly.
I particularly like artists who talk about art, and the processes behind it, and within it. Whatever their art may be. Even better, artists who talk about the future of their art. Best, an artist who can talk about these things in a manner that's as inspiring as their art.
This is why I'm actually reading AFP's blog, and have linked it at right. She's fucking brilliant.
She's thoughtful, and puts a lot of her energy into her words, making the blog both enlightening and inspiring. It's something a lot of artists just can't do – Their blogs end up narcissistic or dry, or narcissisticly dry. AFP is engaging, funny, energetic, and smart. She also regularly displays a firm grasp on current, and emergent, trends and offers insights that more people should really be paying attention to.
Some of her recent blogging in particular has been excellent in terms of trends and things people should pay attention to. Her ideas and comments about how she, as an artist, is making money and the necessity of doing the work, and how others are succeeding, or can succeed, are great.
More artists need to embrace the entrepreneurial opportunities afforded by the current state of technology and communication. More artists need to stop being shy about cultivating a fan base, being involved with that fan base, and making money from that fan base. Making money is not dishonest, it doesn't dirty up the work. Everyone has a right to try to make a living from what they're passionate about. Go read, seriously. AFP is talking from the POV of a performance based artist/act like a musician, but if I find it valuable as a scribbler and metalsmith, other artists should as well. If you're a musician, video artist, writer, pounder of metal, any sort of artist who wants to make a life an an artist, her ideas are worth a look.
I find her commentary very much in keeping with my recent ideas on writing/publishing, markets and marketing there-for, and making use of available technology and the memes they enable to achieve success in genres and as artists.
On top of that, she's awesome and I enjoy her work, and the things she has to say.
(As a note: I'm thinking about putting up something for each of my recommended reads, who I haven't mentioned before at least, but don't know if I'll get to it. My recommended reading, and the blogs I follow (see profile) are all recommended, or they wouldn't be there. You should check them out.)
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